On Monday we talked about flashbacks and backstory and how not to do them. Sometimes at conferences I hear new writers talking about flashbacks and backstory being on the “no-no” list, but that’s not true at all. They just tend to get over used, which can suck away tension and drama.
So. You’re staring at your manuscript. You’re looking at that flashback scene, that paragraph of backstory, and you’re thinking how do I know if it should stay?
- If this is a moment in time that has forever altered your character.
- You’ve spent time in the story building up tension about what happened on “that night” or “that afternoon” and your flashback is revealing what went down.
- You wrote the scene, but then your timeline changed, but you really want to put it somewhere…
- It’s a cute scene and you love it and you think readers will find it “fun.” (Flashbacks are not about fun – they’re about revealing something deeper.)
I’m not a huge fan of them being used in prologues, though with that being said The Apothecary’s Daughter is one of my favorite books and Julie Klassen opens with a flashback-y prologue. So it can be effective in the hands of a skilled writer.
Onto backstory.
Backstory can be a sentence or two, like the red below:
“Kyle? Will you raise your hand so that Paige will know who you are?”
The entire class teetered with laughter at this comment. Paige and Kyle had been best friends since preschool. In fact, the idea of Paige not knowing a person in the class was a little humorous in itself. Paige had been friends with everyone and had been the most well-known girl in school.
Or it can be paragraphs. Don’t worry. I won’t make you read a paragraph of backstory. I’ll just say that usually the lead-in to a paragraph of backstory sounds like, “Paige and Kyle met during a finger painting incident in preschool…” and then it goes on for awhile about the details of their meeting, but in a “telling” fashion rather than flashing back.
One of the biggest things to consider with backstory is your character’s voice and viewpoint. Even backstory needs to happen through their eyes. An example is:
When I told Meghan about Jay, she said, “I think you guys should just be friends.”
Of course. Ever since Joel stomped on her heart last spring, Meghan has been all about “staying friends.”
