Here at Go Teen Writers, we’re pretty good at encouraging you all to write at your own pace. Some of us are quick twitch writers, while others plot our novels out painstakingly before a word is written. Some of us believe that the shortest distance between two points is a straight line, while others prefer to discovery write our way into a plot.

None of these approaches is wrong. In fact, there is no wrong way to write a novel.

But what happens when it’s imperative that you write quickly? And what if you’re not a naturally fast writer? What if you actually prefer the long way around, but circumstance dictates that the novel you’re writing be finished and ready for industry professionals in a very short amount of time?

It’s a situation I currently find myself in, and I thought I’d give you a peek into my preparation. Because the truth is simple:

I NEED A PLAN.

And for someone like me who is a habitual discovery writer, the plan usually includes writing a bunch of stuff I’m going to delete. It’s how I’ve traditionally sorted the plot and the characters out in my head.

But I don’t have that kind of time.

Instead of spending my writing hours discovery writing, I’m going to need to make good, workable decisions ahead of time so that I can map out my scenes before I write them.

The upside is this: I have already started this book. I have discovered a lot about my characters and my world. The beginning of the story is written and in good shape. What must be decided now is how to get from my solid beginning to a steal-your-breath kind of ending.

To do that, I’m putting together a few cheat sheets:

  1. A clearly worded story problem: What is the BIG PROBLEM my protagonist is trying to solve?
  2. A list of my principal characters and their goals: What do my characters want? What do my characters need? What are they willing to do to get there? And how do the answers to each of these questions serve to resolve or prevent a solution to my story problem.
  3. A landmark list: I’ve done enough work on this project to know that there are certain moments, situations, and settings that I’d like to include. I make a very simple list of these items so they’re not rattling around in my head, distracting me.
  4. My Fabulous Four: I’m no good at plot charts, but there are a four big moments that will take me from beginning to end, and if I can keep these four things in front of me, I’ll know I’m heading in the right direction:
    • Inciting Incident: The moment that a setting, characters, and world is transformed into a story. It’s that thing that happens that thrusts the protagonist (and the reader!) into an adventure.
    • The Mid-Point Twist: It’s the moment, about the middle of the story, when the carpet is pulled out from beneath the hero’s feet. They have their BIG WANT in sight and something happens that changes their want. This is where I like my story to refocus, perhaps shifting from my hero’s want onto their greatest need.
    • Climax: The final battle. What happens when my hero meets her greatest opposition? Who must be present for that moment and where should it take place? What will that battle determine?
    • Denouement: The Happily Ever After. Or not. The denouement is what happens after the story problem has been resolved. What do I hope that will look like for my characters and my story world.
  5. Scene breakdown: This is what’s going to kill me. It’s the thing I dread. Making decisions for my characters. I’m way better at letting them decide where to go and what to do. But since they’re much too slow, I’m going to have to do this myself. And I’ll do it by using try/fail cycles. I don’t have enough time to get into that today, but you can read all about how I use try/fail cycles here. This will be my first time EVER using them to put together a list of scenes that move my story from beginning to end. Say a prayer for me, friends. Next week’s going to be a crazy one.

Once I have these five cheat sheets created, the plan is to use the scene breakdown to guide me through my story to that heart-stopping ending I’m aiming for. I’ll use the other cheat sheets to keep me on track and to remind me of THE MOST IMPORTANT things as I write.

I’ll say this, friends. I’m very glad there’s no ONE WAY to write a book. Sometimes time and circumstance dictate that you pivot away from what you know to something brand new. This might work for me, and it might not, but it’s good to know I’m not doing anything wrong.

Tell me, are you good at fast drafting a book, or do you prefer to move more slowly? Have any tips for a girl who’s trying to learn a new trick? I’m all ears.

Shannon Dittemore is an author and speaker. Her books include the Angel Eyes trilogy, a supernatural foray into the realm of angels and demons, as well as the fantastical adventure novel Winter, White and Wicked. Its sequel, Rebel, Brave and Brutal is due out January 10, 2023.

Shannon’s stories feature strong female leads grappling with fear and faith as they venture into the wilds of the unknown. She’s often wondered if she’s writing her own quest for bravery again and again.

It’s a choice she values highly. Bravery. And she’s never more inspired than when young people ball up their fist and punch fear in the face.

To that end, Shannon takes great joy in working with young writers, both in person and online at Go Teen Writers, an instructional blog recognized by Writer’s Digest four years running as a “101 Best Websites for Writers” selection.

For more about Shannon and her books, please visit her websiteInstagramFacebookTwitter, and Pinterest.