by Stephanie Morrill
Stephanie writes young adult contemporary novels and is the creator of GoTeenWriters.com. Her novels include The Reinvention of Skylar Hoyt series (Revell) and the Ellie Sweet books (Playlist). You can connect with her on Facebook, Twitter, Pinterest, and check out samples of her work on her author website including the free novella, Throwing Stones.
Hey, guys! After spending all last week getting my son transitioned to the ketogenic diet, I’m slowly easing my way back into regular life. (Or as regular as life can feel when you weigh every bit of food that goes in your son’s mouth and tell him regularly, “No, buddy, you can’t eat that.”) Thanks so much for your patience and kind words of encouragement last week! Still a lot of work ahead of us, but we’re feeling pretty optimistic.
Connor napping in the hospital with a picture his sister made for him. |
Onto writing voice.
If you hang around the writing community for very long—or read any articles about what agents and editors like to see in a manuscript—you will quickly come across the term “voice.” Agents and editors love a writer with a lot of voice. They’re a sucker for voice. They want a voice that draws them in.
Voice is simply the unique way that you string words together as a writer. Where the concept really gets murky is when you try to factor in character voice too. Your characters have unique voices (or that’s what we’re all striving for, anyway) so where does that fit in? That’s actually a different post for a different date. Today we’ll just focus on author voice.
How do you go about learning to write with a unique voice? While it isn’t as simple as learning to write active sentences or cut adverbs, I do think it’s a skill you can hone.
First, let’s talk about why you talk the way you do. I think that’ll help clarify what goes into your author voice. Your word choices, phrases, and accent are a combination of a lot of things. The way your guardians talk. Your age. The part of the country you live in. Your education. It’s also influenced by the way your friends talk, the books you read, the music you listen to, and the movies and TV shows you consume.
As you age, as your social circles change, and as you fall in love with different books or movies, you probably notice changes in how you talk, right? When I watched The Office all the time, I couldn’t stop saying, “Absolutely.” It was ingrained in me. When I was on a steady diet of Jane Austen novels, my husband would ask where I put the lotion, and I would respond, “Tis in the bathroom cabinet.” I wasn’t trying to sound like Miss Austen, but it was the language I had surrounded myself with.
What does this phenomenon have to do with writing? It means you can intentionally flavor your writing voice same as you can your verbal speech patterns. I think the best ways to do this for a novelist are through reading and writing:
fire poker. To get it hot, you need to put it by a fire.” Reading great books and absorbing stories from master storytellers is a way of “heating up” your natural abilities.
Grab one of your favorite books and find a passage you really like because of the language. Read it several times, breaking down the mechanics of it. What is it that you like? Why does it work?
Now, grab a piece of paper (or the manuscript you’re working on) and try to write something that uses what you just learned. Tell us how it goes in the comments section!