by Stephanie Morrill
Stephanie writes young adult novels and is the creator of GoTeenWriters.com. Her novels include The Reinvention of Skylar Hoyt series and the Ellie Sweet books. You can connect with her on Facebook, Twitter, Pinterest, and check out samples of her work on her author website including the free novella, Throwing Stones.
I had never read Arthur books until McKenna started elementary school and brought them home from the library. When she pulled Arthur Writes A Story from her backpack and read it to me, I grew teary. And then bought a copy for my self.
I wrote it because it was a story idea I loved, that I felt I had to write. Often writers describe stories like this as books of the heart.
Writers like to say you should write the book of your heart. Forget the market! Telling your story is all that matters! But is this good advice?
Maybe. Quoting my brilliant friend, Shannon Dittemore, “What kind of writer do you want to be?”
Because our blog is for young writers, and since most young writers are more about art than about money, and since I don’t really know much about making tons of money with writing, I’ll talk to those who answer, “making art.”
Just like the plotter or pantser question, most published writers I know are hybrids, including me. I want to write books I love and care about. I also want them to be published, and I enjoy being paid for my time.
That’s why when I approach a new story idea, I always start with what story I want to tell—Jill wrote a lovely article on premise last week—and then I think about if I can make it an idea that will sell.
My story ideas tend to fall into three categories:
1. That sounds fun, but it would be tough to sell for reason x, y, and z.
2. I think that’s a really marketable premise… but I don’t know that I’m excited enough to write it.
3. I love this idea. And I think if I tweak this and this, I could sell it.
I’ve written quite a few of #1. Wow, I had fun with those. They will probably sit on my hard drive for the next 10 or so years.
I’ve written two in the #2 category. One of them, the trend swung the other way, so it’s now become completely unsellable. The other I could sell. Maybe it would even do pretty well. But I just don’t care enough to do the hard work.
But #3 is always the target I’m aiming for these days. Stories that fall in the purple space:
Maybe you don’t want to write purple. Maybe you want your stories to stay firmly in the red. If you get published, fine. If not, that’s fine too, but you don’t want to change your story for anybody. Totally fine!
At every writers conference I’ve attended, there have been writers who feel that way … but also would really like their book to be published. So can I throw out a few words of caution for those of you who only care about writing the book of your heart but also want to find an audience?
Don’t get angry at publishers for not publishing your book: If you write a book just for you, it’s unfair to get all annoyed at publishers for not seeing the value in it. Publishing is a business. If you want a publisher to buy your book, you have to show them that it’s a good investment. The same is true for if you self-publish. Why should a reader plop down their money to read the book of your heart? If your primary goal was to make art, then you have to rest in the fact that you did that, and any money you make is just a nice perk.
Also, don’t shut out constructive critics: Some writers like to point to The Help by Kathryn Stockett as a writer who wrote the book of her heart and had such a passion for it that the book eventually sold and was a crazy bestseller.
What writers tend to overlook when they pull out that story is how many revisions the author did. When she received rejections and feedback, she rewrote. Over and over she did this. And that book is a beautiful work of art, not despite her incorporating that feedback, but because of it.
Good critique partners and editors don’t want to strip away what makes your book great. Their job is to make sure your vision of the story is being transmitted clearly to the reader.