For several months now, my posts have been about get ready to write the first draft.
Researching,
brainstorming,
character musing,
identifying where to start the book, that kind of thing.
Most of the time, once I’ve gone through all these steps, I’m feeling ready to dive into my first draft. Occasionally, though, I have caught myself researching a bit longer than necessary, or doing something else to stall the actual writing piece of the process. Part of this, I feel, is my perfectionist tendencies. The story still feels perfect in my mind at this point, and I know it’s about to become not-perfect, because first drafts never are.
Here are some techniques and mental tricks I’ve learned along the way that have helped me push through my first draft. I hope they’ll help you too!
“All I’m doing is typing words into a document. That’s not scary.”
Some projects incite more fear in my heart than others. Like The Lost Girl of Astor Street, which was my first foray with a historical or a mystery.
When I’m feeling scared, I have to remind myself that I’m just typing. I’m not skydiving or publicly dancing, I’m just typing.
Embrace Your Pace
I know there’s a big push to write faster. Word sprints, word wars, #1k1hr, 5k-in-a-day events, NaNoWriMo, and all kinds of books about increasing your word count.
There’s nothing wrong with any of these. If word sprints work for you, great! Do them! If you find great tips from blog posts or books about how to write faster, that’s wonderful. If you love participating in NaNoWriMo, definitely keep doing that.
But not all of us write fast, AND THAT’S OKAY. When Roseanna and I are on writing retreats, she “beats me” every day on word count. She just writes faster than I do. There’s no right or wrong pace for a first draft.
Write A Useful But Imperfect Draft
Writing “bad” first drafts is a topic I’ve covered a few times on Go Teen Writers, because it’s part of my process. If you struggle with your internal editor—that voice that tells you the sentence isn’t right and you should sit there until you figure it out … or maybe just scrap the whole thing and start over—then I really encourage you to try this tactic. It works for lots of writers.
Set Aside Time To Go Deep
Last year, I read
Deep Work by Cal Newport and found it really helpful. We are so used to having multiple tabs open in our browsers, responding to notifications on our phones, or feeling like we need to be everywhere on social media. Even when we know that isn’t true, it’s easy to slip into bad habits because that’s the way our world works.
Cal Newport says this about Deep Work and why it’s important.
“Deep work is the ability to focus without distraction on a cognitively demanding task. It’s a skill that allows you to quickly master complicated information and produce better results in less time. Deep work will make you better at what you do and provide the sense of true fulfillment that comes from craftsmanship. In short, deep work is like a super power in our increasingly competitive twenty-first century economy. And yet, most people have lost the ability to go deep-spending their days instead in a frantic blur of e-mail and social media, not even realizing there’s a better way.”
Separate Storytelling and Writing
I used to find myself frequently stalling out when writing scenes. I knew what was supposed to happen, but I would still just stare at the screen.
Eventually I found Rachel Aaron’s 2k to 10k book (or
here’s the blog post that details her process.) One technique she talked about was how instead of diving into the scene, she instead began to write out a short description of what was going to happen for the scene. Just taking five-ish minutes to do this seemed to unlock the right words for her.
This is now a regular part of my process, because I found it works well for me too! K.M. Weiland has talked on her blog about how
writing and storytelling are actually two different skills, and I think that’s why this works. Since I’ve thought through the storytelling piece, I’m now free to concentrate on finding the right words.
Discover the best balance of structure and freedom for you.
Something else that has greatly improved my first drafts is understanding more about story structure. Some writers work best with very detailed outlines, and others with no outline at all. Most fall somewhere in-between.
Finding the balance that’s best for you will take time and practice, but understanding story structure basics can really help you to build stronger first drafts.
Consistency Matters
I wrote about this last year in my post Three Rules For Creating Art That Matters. You aren’t always going to feel like sitting down and writing, but if you want to get through your first draft, it’s really important to push yourself in this area. Maybe writing every day isn’t for you, but try to write as consistently as you can.
Keep your door closed
In On Writing, Stephen King says, “If you’re a beginner … let me urge that you take your story through at least two drafts; the one you do with the study door closed and the one you do with it open.”
I am SO in favor of this. I write best when I know that nobody is going to see it before I’ve had the chance to clean it up. I’ve talked about that in my post, “Writing Advice Examined: Should You Write Like No One Is Watching?“
Reward yourself
Writing a novel is a long process. And unless you’re writing it for a class, no one else is really paying attention to what you’re doing. No one is going to make you write or tell you “good job!” when you found just the right hook for that chapter ending.
You know who is responsible for “keeping up morale” as you get through the novel? YOU! You are your own boss. You must find whatever carrots you can hang in front of you to get yourself to The End. Find rewards for small things, like finishing another chapter, as well as big things, like finishing your first draft.
Stop reading this and go write.
Seriously. That book isn’t going to write itself. Get off-line and go write. Don’t even procrastinate by leaving a comment, just go!
