We are very excited to have teen author Taylor Bennett with us this week! If contemporary Christian YA fiction is your jam, be sure to check out Taylor’s debut novel, Porch Swing Girl:
What if friendship cost you everything?
Stranded in Hawaii after the death of her mother, sixteen-year-old Olive Galloway is desperate to escape. She has to get back to Boston before her dad loses all common sense and sells the family house. But plane tickets cost money—something Olive gravely lacks.
With the help of Brander, the fussy youth group worship leader, and Jazz, a mysterious girl with a passion for all things Hawaiian, Olive lands a summer job at the Shave Ice Shack and launches a scheme to buy a plane ticket home before the end of the summer.
But when Jazz reveals a painful secret, Olive’s plans are challenged. Jazz needs money. A lot of it. Olive and Brander are determined to help their friend but, when their fundraising efforts are thwarted, Olive is caught in the middle. To help Jazz means giving up her ticket home. And time is running out.
Today’s panel question is:
Writers often have lots of ideas. How do you choose which idea to write? And how do you keep other ideas from distracting you from the one you’re supposed to be working on?
If I do end up being so excited that I get distracted, I might give myself a small chunk of “writing time” to write a sloppy synopsis–just enough to get my ideas on the page, but not so much that I take away too much time from whatever I’m working on at that moment. If I’m having a hard time putting the synopsis away, I pray over it. If it’s an idea that’s meant to be explored, I trust that I’ll still be just as excited about it when I actually have time to devote to the idea.
Choosing which idea to write is a harder question to answer. I have SO MANY IDEAS AND I LOVE THEM ALL ARGH! I’m constantly making lists of what I’m trying to finish and what I want to write next. At some point, I will choose, or sometimes I’m lucky and and editor will buy something and choose for me. If not, then I have to decide which idea I’m the most excited about. And I also consider which idea will appeal to the widest audience. I’ve written a lot of risky books, and that’s okay some of the time, but for me, that also means that after a risky challenging project, it might be time to write something a little more safe that will appeal to the masses. So I take that into consideration as well.
When that happens, my response is similar to Taylor’s. I write a blurb or synopsis about my idea. I usually give myself an allowance of time, and then I make myself go back to what I’m supposed to be working on. This has worked really well for me over the years.