Today is my last post about the drafting process, though not the last post in this series! Next week, there will be a writing contest, but it will only stay open through Monday night. I wanted to let you know now so that you’ll remember to check the blog next Monday.

Since it wasn’t that long ago that we published a number of posts about writing endings, I’ll drop links to those below rather than try to write something fresh about the technique for crafting a strong end to your story:

Writing the Final Battle by Shan

The Five Step Finale and Final Image by Jill

The Denouement: Ending Your Story by Shan

How To Write A Satisfying β€œFinal Battle” When Your Villain Isn’t Darth Vader, Lord Voldemort, or President Snow by Me

The first professional feedback I ever received was about my story’s ending.

That I even received the critical feedback seems miraculous to me, considering I had printed out my 90-page manuscript on purple paper (so I would stand out, obviously!) and mailed the whole thing to a publishing house. I can’t believe anybody even bothered reading any of it, let alone making it to the end and replying thoughtfully to me.

Their criticism of the ending was that I didn’t really have one. The story just kinda wandered on until it stopped. I’ve improved greatly from that first complete story, but despite having studied story structure for years and constantly consuming stories, I never get the ending right on my first pass.

So, what’s important when you’re writing the first draft of your ending? Especially the first draft of the first ending of your first novel, which I know is where many of you are.

Write an ending.

Maybe you don’t know how the story should end, especially since you know it should feel epic and exciting, and you just don’t know what’s epic and exciting enough. So you’re staring at the blinking cursor hoping the right ending is going to come to you any minute now.

This is often the part of the process where young writer Stephanie would put her brakes on. I would hem and haw, and then resolve to go back to the early part of the book and focus on making the book β€œperfect.” I told myself once I’d done that, the right ending would be obvious. (My version of making something β€œperfect” often involved just rewriting the whole thing.)

But writing an ending is definitely better than no ending. You won’t really know if you got the beginning right until you’ve figured out the end!

If you’re feeling lost on your ending, here are some questions to get you thinking:

  • What does it look like for your main character to achieve their goal? What would it look like for them to NOT achieve their goal?
  • Is it more satisfying to tell a story where they get what they need but not necessarily what they want? For example, your character might need unconditional love but want to take over the kingdom. Should they get both, or should they discover that when they get what they truly need, they can survive just fine without what they wanted?
  • What keeps my main character from walking away? What’s at stake? What happens if the antagonist β€œwins”?
  • What makes the reader worry during your ending? Your readers want to worry about your characters and think they may not get what they need or be able to outsmart the competition.
  • Should your main character sacrifice something? Maybe they sacrifice what they want to get what they need. Or they sacrifice what they want so that someone they love can get what they need.

Hopefully these questions can at least give you some ideas for writing an ending. Please keep in mind:

Great endings happen in edits.

I don’t know what your favorite book or movie is, but I’m betting you love the ending.

I’m also betting that the ending you love is not the original ending the author wrote. There might have been pieces of the finished ending in that original version, but I bet that twist/bit of humor/snappy quote either wasn’t there at all or didn’t yet shine because of other story elements that were still broken.

As you’re writing the first draft of your ending, keep in mind that great endings happen in edits. The writing quote that has always resonated with me most is Michael Crichton’s famous:

β€œBooks aren’t writtenβ€”they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it.”

If you don’t know your ending now, don’t panic. Remember it may take 7+ rewrites to find it!

What do you struggle with most in writing, the beginning, middle, or end?