I think we will all relate to this email we received at Go Teen Writers that I’ll be sharing today. Since there’s a lot worth responding to, I’m going to share a few snippets of it throughout my post so that I can take time to respond to each issue:

I am so worried about everything in my story. I fret so much that it’s just not right, but then other days, I’m proud of myself. It’s a real Jekyll and Hyde vicious cycle.

This is so normal, we have a meme for it:

Rapunzel meme

This happens to new writers and veteran writers. To best sellers and unpublished. So it’s normal … but what can we do about it?

Have a pep talk prepared.

You know these mood swings are going to happen, so prepare for them. When you’re feeling like your writing just isn’t where you want it to be, find a quote or mantra you can lean on. Maybe it’s, “I’ll fix it in edits,” which is something I tell myself quite a bit during a first draft. Post it near your writing space and read it as often as you need to!

Have a friend you can talk to.

More on this later, but one of the most helpful things for me is when I can send a message to a writer friend. I know we don’t all have this luxury—I haven’t always had it either—but sharing all your crazy writer emotions and thoughts with a fellow writer and hearing them say, “Oh, yeah. I go through that too,” is a wonderful boost.

Okay, now more from this writer’s email:

What would help is someone to talk to me about everything, characters, world building, motives, literally everything. The problem is, I can’t get people to read it. My brother and mom have read it, but everyone else, they read a little, and then they STOP.

Oh, I can so relate. Here’s a fun Stephanie The Teen Writer story for you. I have a vivid memory of going over to a friend’s house with my handwritten story tucked in my backpack. I pulled it out, asked if she wanted to hear it, and when she said yes, I started reading it to her.

I wasn’t even halfway down the page when she turned on the TV.

(Later during my stay at her house, her evil older brother found it and read pieces in a mocking voice, followed by laughter. I thought I might spontaneously combust, I was so embarrassed.)

So what do we do in a situation like this, other then snarl about how dumb people are and make them villains in our next book?

First we have to recognize that not everybody is a worthy reader of our early work. In defense of my poor friend, she wasn’t much of a reader, and was probably just being polite when she said she was interested in my story. I was too desperate for feedback and fanfare to recognize it at the time, but she wasn’t the best choice for me to open myself up to.

At the same time, I fully believe “all feedback is a gift,” which is an obnoxious quote my pastor has shared. If people are reading a little and then stopping, you can choose to learn from that feedback. It might mean that there’s an issue with the beginning of the book, or it could mean you haven’t found the right beta readers. Or it could mean both!

Lastly, our fellow writer asks:

So what I’m saying is I need help finding beta readers who are willing to read a bad book so I don’t have to wallow in this mess forever. Where do I go to find them?

The search for good critique partners is hard work for the majority of writers. I was 22 before I found my first writer friends, and I’ve been a part of a few critique groups with varying levels of success.

Here are some suggestions for finding people:

  1. If you’re in your teenage years and on Facebook, consider joining the Go Teen Writers Community Facebook group. Many writers there enjoy critiquing for each other.
  2. Your local library might have young writer programs or groups that meet there. Ask your librarian. If you go to a bigger school, you might ask your English teacher or school librarian.
  3. Are there writing conferences near you that you can attend? That’s how I started building my network of writer friends. If you live in the Kansas City area, Johnson County Library puts on a free writers conference every fall that’s wonderful. This last year they did a young writer’s track too. Try Googling the name of your closest big town and the words “writer conference” and see what comes up.
  4. Sometimes local bookstores know about writing groups, so that could be a good resource too.
  5. Participate in NaNoWriMo this November and actually do the live community events. They also have a young writers program.

And here are some thoughts on building writer friendships:

  1. Start with something small, like a chapter. Eventually we all need friends who will be willing to read our sub par drafts and give us feedback on the book as a whole, but that’s a big ask early on. Try asking them to read a chapter, and then go from there.
  2. Recognize that unless this is a mentoring situation, neither of you are really leading the other. You’re both going to be learning and growing as you continue to write, and you’ll be able to strengthen each other along the way. Even though most of us wish for a friend who is “ahead” and can give us some kind of boost to the next writing/publishing level, it’s beautiful to learn and grow alongside someone.
  3. Be a giver, not just a taker. Whenever possible, exchange critiques.
  4. Pay attention to how you feel after a critique. While there’s nothing wrong with walking away from a critique feeling frustrated by how much work you now realize your book needs or sad that the character isn’t working like you thought they would, I would consider it a red flag if you walk away feeling ashamed, less-than, hopeless, or deeply discouraged. Those are signs that this might not be a good writer friend to pursue. The best critiques I receive leave me with a list of things I need to work on, but full of hope for how much better the book will be for it.

Wise Go Teen Writers community, any additional advice to offer our fellow writer? Do you have a writing quote that might inspire her to stick with it when she’s feeling down about her writing?